two digital prints by Dario Srbic, 2019
taking philosophy and art theory as a point of departure, srbic seems to dissect the photographicmedium isolating its distinctive elements, winking at derrida’s deconstruction and use of semioticanalysis. a photography maker and not a photography taker, his works are connected to one anotherthrough a choreographic footprint. like a body fully aware of its single parts, srbics’ art is a self-reflexive intuitive dance imbued with the dramaturgy of the everyday life, where he explores theboundaries of the medium and teaches it how to let go.
photo Ⓒ ulrich dertschei